Thursday, November 17 | 10:30am PST
Refik Anadol is a media artist, director, and pioneer in the aesthetics of machine intelligence. He currently resides in Los Angeles, California, where he owns and operates Refik Anadol Studio and RAS LAB, the Studio’s research practice centered around discovering and developing trailblazing approaches to data narratives and artificial intelligence. Anadol is also a lecturer for UCLA’s Department of Design Media Arts from which he obtained his second Master of Fine Arts.
Anadol’s body of work addresses the challenges, and the possibilities, that ubiquitous computing has imposed on humanity, and what it means to be a human in the age of AI. He explores how the perception and experience of time and space are radically changing now that machines dominate our everyday lives. Anadol is intrigued by the ways in which the digital age and machine intelligence allow for a new aesthetic technique to create enriched immersive environments that offer a dynamic perception of space.
By proposing the possibility of “post-digital architecture,” Anadol invites his audience to imagine alternative realities by re-defining the functionalities of both interior and exterior architectural elements. He tackles this by moving beyond the integration of media into built forms and translating the logic of a new media technology into art and design, particularly his works explore the space among digital and physical entities by creating a hybrid relationship between architecture and media arts with machine intelligence.
Residing at the crossroads of art, science, and technology, Anadol’s site-specific three-dimensional data sculptures and paintings, live audio/visual performances, and immersive installations take varied virtual and physical forms. Entire buildings come to life, floors, walls, and ceilings disappear into infinity, breathtaking aesthetics take shape from large swaths of data, and what was once invisible to the human eye becomes visible, offering the audience a new perspective on, and narrative of their worlds.
The primary thread that runs throughout Anadol’s groundbreaking visualizations of the unseen world is data: for Quantum Memories, 200 million photos of Earth and its landscapes, oceans and atmosphere were used to visualize an alternate reality of nature; for Sense of Space at the 17th International Architecture Exhibition – La Biennale di Venezia – approximately 70 terabytes of multimodal MRI data, including structural, diffusion (DTI) and functional (fMRI) scans of people ranging from birth to nonagenarians was used to design the human brain-inspired artwork; archival photographic data of our universe from NASA/JPL was the driving force behind Machine Memoirs: Space, Istanbul’s most visited exhibition ever; for Machine Hallucination, 113 million publicly available images of New York City were used to envision the near future of a storied city; for WDCH Dreams, 100 years of the Los Angeles Philharmonic’s digital archives were tapped to inspire the visuals projected onto Frank Gehry’s iconic building; for Oakland’s Sense of Place, real-time environmental data such as wind, temperature, and humidity as well as invisible communication signals from Bluetooth, Wifi and LTE inform the work; for Berlin’s Latent Being, the visitors themselves provided real-time data for the artificial thinking process; and for Charlotte Airport’s Interconnected, real-time airport statistics such as arrivals/departures, baggage handling systems and ground shuttle transportation transform into an ever-changing suite of abstract form, color, and simulated texture.
Refik Anadol ’s global projects have received a number of awards and prizes including the Lorenzo il Magnifico Lifetime Achievement Award for New Media Art, Microsoft Research’s Best Vision Award, Lumen Prize Award, iF Gold Award, D&AD Pencil Award, German Design Award, UCLA Art+Architecture Moss Award, Columbia University’s Breakthrough in Storytelling Award, University of California Institute for Research in the Arts Award, SEGD Global Design Award, and Google’s Artists and Machine Intelligence Artist Residency Award.
Anadol’s site-specific audio/visual performances have been featured at iconic landmarks, museums and festivals worldwide, such as the 17th International Architecture Exhibition – La Biennale di Venezia, the National Gallery of Victoria, Walt Disney Concert Hall, Hammer Museum, Dongdaemun Design Plaza, Artechouse, The Centre Pompidou, The Portland Building, Daejeon Museum of Art, Florence Biennale, Art Basel, OFFF Festival, International Digital Arts Biennial Montreal, Ars Electronica Festival , l’Usine | Genève, Arc De Triomf, Zollverein | SANAA’s School of Design Building, santralistanbul Contemporary Art Center, Outdoor Vision Festival, Istanbul Design Biennial, Sydney City Art, and Lichtrouten, among many others.
Refik Anadol Studio comprises designers, architects, data scientists, and researchers from diverse professional and personal backgrounds, embracing principles of inclusion and equity throughout every stage of production. Studio members originate from 10 different countries and are collectively fluent in 14 languages. The Studio’s internship program also demonstrates a strong commitment to mentoring young people from a variety of personal experiences, values, and world views.
A pioneer in his field, and the first to use artificial intelligence in a public immersive artwork, Anadol has partnered with teams at Microsoft, Google, Nvidia, Intel, IBM, Panasonic, JPL/NASA, Siemens, Epson, MIT, Harvard, UCLA, Stanford University, and UCSF, to apply the latest, cutting-edge science, research and technologies to his body of work.
Friday, November 18 | 10:30am PST
Jason E. Cothern joined SoFi Stadium and Hollywood Park in 2019 and serves as its Vice President of Broadcast and Production.
Hollywood Park is a near 300-acre mixed-use development being built in Inglewood, Calif., by Los Angeles Rams Owner/Chairman E. Stanley Kroenke and includes: SoFi Stadium, YouTube Theater, American Airlines Plaza, as well as retail, office, residences and additional park space under development.SoFi Stadium, the centerpiece of the development, is a state-of-the-art venue that is the host of world-class events, including Super Bowl LVI in 2022, College Football Playoff National Championship in 2023, WrestleMania 39 in 2023, World Cup in 2026, the Opening and Closing Ceremonies of the Olympics in 2028, as well as concerts and other sporting events.
In his role, Cothern is responsible for the creation and implementation of the audio and visual content throughout Hollywood Park, SoFi Stadium – including the 70,000 square-foot Infinity Screen by Samsung – and YouTube Theater. Additionally, Cothern works with the reigning Super Bowl Champion Los Angeles Rams, Los Angeles Chargers, and various other production partners to enhance their game day or event productions. Since the opening of SoFi Stadium in 2020, Cothern and his broadcast operations team successfully executed two NFL seasons for the Chargers and Rams, the launch of YouTube Theater, countless concerts and Super Bowl LVI.Previously, Cothern worked at Mercedes-Benz Stadium in Atlanta, GA, from 2015-2019 as the Director of Game Presentation and Productions. While there, he was responsible for developing and executing shows and broadcast technology for the Atlanta Falcons, MLS Champions Atlanta United, Super Bowl LIII, 2018 College Football Playoff National Championship and 2018 MLS Cup. Cothern was instrumental in the construction and integration of the HALO, the venue’s large and centralized video board, the Mega Column and all audio and digital displays.
Saturday, November 19 | 10:30am PST
Naveen Viswanatha is a technology leader with over 20 years of industry experience. He currently leads the ChromeOS product and engineering teams focused on key solution areas such as contact centers, virtualization and app streaming, and kiosks in addition to developing the next generation enterprise web platform capabilities. Prior to this role, Viswanatha led the ChromeOS Education team, enabling 45M+ students to utilize Chromebooks in their learning journeys. He was also an early member of the Google Cloud (formerly Enterprise) team and has held positions in product management, partnerships and sales. Prior to Google, Viswanatha worked as an engineer at various startups in the Bay Area.