Refik Anadol

Thursday, November 17 | 10:30am PST

Refik Anadol is a media artist, director, and pioneer in the aesthetics of machine intelligence. He currently resides in Los Angeles, California, where he owns and operates Refik Anadol Studio and RAS LAB, the Studio’s research practice centered around discovering and developing trailblazing approaches to data narratives and artificial intelligence. Anadol is also a lecturer for UCLA’s Department of Design Media Arts from which he obtained his second Master of Fine Arts.

Anadol’s body of work addresses the challenges, and the possibilities, that ubiquitous computing has imposed on humanity, and what it means to be a human in the age of AI. He explores how the perception and experience of time and space are radically changing now that machines dominate our everyday lives. Anadol is intrigued by the ways in which the digital age and machine intelligence allow for a new aesthetic technique to create enriched immersive environments that offer a dynamic perception of space.

By proposing the possibility of “post-digital architecture,” Anadol invites his audience to imagine alternative realities by re-defining the functionalities of both interior and exterior architectural elements. He tackles this by moving beyond the integration of media into built forms and translating the logic of a new media technology into art and design, particularly his works explore the space among digital and physical entities by creating a hybrid relationship between architecture and media arts with machine intelligence.

Residing at the crossroads of art, science, and technology, Anadol’s site-specific three-dimensional data sculptures and paintings, live audio/visual performances, and immersive installations take varied virtual and physical forms. Entire buildings come to life, floors, walls, and ceilings disappear into infinity, breathtaking aesthetics take shape from large swaths of data, and what was once invisible to the human eye becomes visible, offering the audience a new perspective on, and narrative of their worlds.

The primary thread that runs throughout Anadol’s groundbreaking visualizations of the unseen world is data: for Quantum Memories, 200 million photos of Earth and its landscapes, oceans and atmosphere were used to visualize an alternate reality of nature; for Sense of Space at the 17th International Architecture Exhibition – La Biennale di Venezia – approximately 70 terabytes of multimodal MRI data, including structural, diffusion (DTI) and functional (fMRI) scans of people ranging from birth to nonagenarians was used to design the human brain-inspired artwork; archival photographic data of our universe from NASA/JPL was the driving force behind Machine Memoirs: Space, Istanbul’s most visited exhibition ever; for Machine Hallucination, 113 million publicly available images of New York City were used to envision the near future of a storied city; for WDCH Dreams, 100 years of the Los Angeles Philharmonic’s digital archives were tapped to inspire the visuals projected onto Frank Gehry’s iconic building; for Oakland’s Sense of Place, real-time environmental data such as wind, temperature, and humidity as well as invisible communication signals from Bluetooth, Wifi and LTE inform the work; for Berlin’s Latent Being, the visitors themselves provided real-time data for the artificial thinking process; and for Charlotte Airport’s Interconnected, real-time airport statistics such as arrivals/departures, baggage handling systems and ground shuttle transportation transform into an ever-changing suite of abstract form, color, and simulated texture.

Refik Anadol ’s global projects have received a number of awards and prizes including the Lorenzo il Magnifico Lifetime Achievement Award for New Media Art, Microsoft Research’s Best Vision Award, Lumen Prize Award, iF Gold Award, D&AD Pencil Award, German Design Award, UCLA Art+Architecture Moss Award, Columbia University’s Breakthrough in Storytelling Award, University of California Institute for Research in the Arts Award, SEGD Global Design Award, and Google’s Artists and Machine Intelligence Artist Residency Award.

Anadol’s site-specific audio/visual performances have been featured at iconic landmarks, museums and festivals worldwide, such as the 17th International Architecture Exhibition – La Biennale di Venezia, the National Gallery of Victoria, Walt Disney Concert Hall, Hammer Museum, Dongdaemun Design Plaza, Artechouse, The Centre Pompidou, The Portland Building, Daejeon Museum of Art, Florence Biennale, Art Basel, OFFF Festival, International Digital Arts Biennial Montreal, Ars Electronica Festival , l’Usine | Genève, Arc De Triomf, Zollverein | SANAA’s School of Design Building, santralistanbul Contemporary Art Center, Outdoor Vision Festival, Istanbul Design Biennial, Sydney City Art, and Lichtrouten, among many others.

Refik Anadol Studio comprises designers, architects, data scientists, and researchers from diverse professional and personal backgrounds, embracing principles of inclusion and equity throughout every stage of production. Studio members originate from 10 different countries and are collectively fluent in 14 languages. The Studio’s internship program also demonstrates a strong commitment to mentoring young people from a variety of personal experiences, values, and world views.

A pioneer in his field, and the first to use artificial intelligence in a public immersive artwork, Anadol has partnered with teams at Microsoft, Google, Nvidia, Intel, IBM, Panasonic, JPL/NASA, Siemens, Epson, MIT, Harvard, UCLA, Stanford University, and UCSF, to apply the latest, cutting-edge science, research and technologies to his body of work.

Refik Anadol

Skarpi Hedinsson

Friday, November 18 | 10:30am PST

Skarpi Hedinsson is the chief technology officer of SoFi Stadium and Hollywood Park. In this role, Hedinsson leads the team driving the vision for and overseeing the implementation of technology throughout Hollywood Park, which includes SoFi Stadium, the performance venue, retail, office and parkland that comprise the near 300-acre development being built in Inglewood, CA, by E. Stanley Kroenke.

The centerpiece of the sports and entertainment district, SoFi Stadium provides for a seating capacity of 70,000, expandable up to 100,000, with 260 luxury suites, more than 13,000 premium seats, and approximately three million square feet of usable space. The project includes a 6,000-seat performance venue located under the same roof canopy as the stadium. SoFi Stadium is home field for the Los Angeles Rams and Los Angeles Chargers. It will also host year-round sports and entertainment events and has already secured Super Bowl LVI in 2022, the College Football National Championship game in 2023, and the Opening and Closing Ceremonies of the 2028 Olympic Games.

Prior to SoFi Stadium and Hollywood Park, Hedinsson was the Los Angeles Rams’ first chief technology officer. In this role, Hedinsson oversaw the team’s technology strategy, and shared service delivery and management of both football and corporate technology activities.

Previously, Hedinsson served as the chief technology officer at Disney/ABC Television Group. There he oversaw efforts to identify new technology talent, capabilities and platforms. Hedinsson had previously served as the company’s senior vice president, Technology and Platform, Digital Media. His team deployed the revolutionary WATCH ABC and WATCH Disney services. This made Disney/ABC Television Group the first entertainment company to provide authenticated users access to both live, 24/7 linear network streams as well as an extensive offering of advantaged window “on demand” episodes on desktops, mobile and connected TV devices. ABC was the first to offer 24/7 live streams of local, national and syndicated programming.

Preceding the launching of the WATCH services, Hedinsson and team designed and built the Emmy Award-winning Full Episode Player for ABC.com and the critically acclaimed ABC Player App for iOS devices. Both were industry defining when they launched for being first to make full episodes of ABC Network Primetime, Daytime, and Late Night programs available to viewers on their respective platforms.

Hedinsson is also the inventor or co-inventor of seven issued U.S. Patents and fourteen pending U.S. Patents in the field of digital media and streaming video. He graduated from the University of Washington with a degree in Computer Science, and he currently lives in Los Angeles with his wife Lynnea and daughters Isabel and Freyja.

Skarpi Hedinnson